A - Acoustic absorption and acoustic resistors
B - Frequency response of open baffles
C - Dipoles below the Schroeder frequency
of a room
D - Room and baffle reflections
E - Line sources
F - Group delay and transient response
G - Multitone distortion
H - Suggestions and hearing
I - Digital crossovers
J - Doppler distortion
K - Room response equalization
L - H-frame and U-frame open-baffle
woofers L2 - H-frame and U-frame open-baffle
woofers M - Investigation of energy storage
M2 - Investigation of energy storage
N - Mounting a driver to a baffle
O - Unreasonably high
distortion in midrange drivers?
P - Estimate of Le(x)
induced distortion at high frequencies
Q - Estimate of Le(i)
induced distortion at high frequencies
R
- Recommended study material about distortion in loudspeaker drivers
S - Dipole
and monopole woofer response T - Separate woofer crossover and offset U - Woofer level setting
- Design Models A - Two point sources
of opposite polarity model A1 - Dipole equalization B - Open baffle loudspeakers B1 - "Compound dipole" woofer model C - Dipole woofer equalization C1 - Notch filter design C2 - 6 dB/oct slope correction C3 - Equalization of low Qt woofer D - Midrange dipole
equalization E - Midrange to tweeter
crossover F - Midrange to woofer
crossover F1 - Woofer level setting G - Level adjustment
controls H - Psycho-acoustic 3 kHz
dip I - Voltage sensitivity of an
active system
- Prototypes A - Open-baffle woofer - PW1 B - Woofer crossover to existing midrange - PXM1 C - Mini open-baffle speaker - PMT1 D - Main panel with passive crossover to
tweeter - PMTM1 E - Crossover/Equalizer for passive dipole
woofer F - Transition to fully
active systems
1 -Ambience
recovery from a 2-channel CD 2 - Refinement of ambience recovery 3 - SACD and DVD-A use of the center channel 4 - A few SACD and their need for a
center speaker
